Showing posts with label texas music. Show all posts
Showing posts with label texas music. Show all posts

Thursday, November 6, 2008

Artist Spotlight: Max Stalling....

Max Stalling may be a one trick pony on the surface, but dig a little deeper and you'll find he's got a whole herd of talent.

A songwriter first and foremost, Max is one of the best composers to have been associated with the Texas Music scene (alongside Mike McClure and Slaid Cleaves - both of whom have been spotlighted here). Max didn't take up music seriously until after college (he's a fellow alumnus of Texas A&M). Just as his songs seem to have one foot in the past, Max himself would've been perfectly content sharing his music with only those around the campfire on the trail in the 1800's. But after his talent for songwriting became too obvious to cast aside, Max quit his job with Frito-Lay and took on music full-time, and got right down to business.

Finding the bar-scene in the Dallas/Ft. Worth area welcoming, it wasn't long before Max had an album's worth of recording material.


Comfort In The Curves (1997)

Max's debut remains one of his strongest efforts to date. He introduces himself with an ode to the road, roll-calling a myriad of Texas towns. Songs like Time's Hand In Your Pocket and Sparks demonstrate his uncanny ability to write from the worn perspective of old wrangler, while Look In My Past and Mockingbird show Max longing for anything except the here-and-now. Heavy on the steel guitar and rural references, Comfort In The Curves is unmistakably country, but retains a cordial sincerity sadly missing in most modern country music.

I-35
Bath Water Baby
"I didn’t even pick up a guitar until graduate school. I had no expectation of even being in the music business. I just liked to write songs."

Wide Afternoon (2000)

Max followed his debut with another solid effort. Runnin' Buddy can be considered his most popular tune, and Scars and Souvenirs seems like the inverse of Karen Poston/Slaid Cleaves's Lydia. On Wide Afternoon, he solidifies his reputation for a stellar relationship-song writer with tunes like Blue Eyes, Dime Box TX, and These Reminders. Check out a SMM post i wrote on Simple Girl.

Bass Run
These Reminders



Max has a certain knack for creating great driving music. Maybe this is because the majority of my roadtrips happen to take me across, through, and around Texas, so it seems Max is right there with me narrating the trip with vivid imagery of West Texas scenery and plaintive cowboy songs. i can't tell you what it is that makes a song fit the open road, but if it makes your destination arrive faster, it's done its job. Read my post on The Road.


One of the Ways (2002)

If you take one thing away from this artist spotlight, make it the purchase of this album. It was frustrating to narrow it down to only two songs to feature from One of the Ways, and honestly, i left out some of the best. It's 11 tracks of clever wordplay - all performed with the ease of a seasoned veteran and in a such a style that evokes a Sunday conversation along a fenceline with Max himself. The Pila Song is a compelling story of love-torn rancher that meets his fate at the hands of his own impulsiveness. Max can uniquely turn a simple conversation into a poetic, rhetorical exchange with the listener, evidenced in Probably Corsicana. This album will definitely make my Toolbox List, and when i feature it, you can get a taste of the remainder of gems on this release.

The Pila Song

Probably Corsicana



By none of today's standards is Max a prolific writer - 5 albums in 10 years - but admittedly, he didn't plan on making a career out of it. Shortly after the release of One of the Ways, Max's distributor went out of business, curbing the sale of the album as well as his desire to begin another project.
"On a personal front, there were a whole slew of things that hit me pretty hard…girl problems, the extended illness and passing away of my father, topped off by an audit by our friendly IRS sure kept me from focusing on songwriting. That was a tough stretch of years.”

Sell Out: Live at Dan's Silver Leaf (2005)

To assuage his fans, Stalling decided to record and release a live album amidst a five year musical recession. Sell Out captures the ardent, hospitable feeling of his shows. Tall, lanky, and bald, Max looks like the least likely guy to take the stage at showtime, but as soon as his does, your reservations wash away. The album only features two new tunes - one of which is an upbeat look back at yesteryear and the music that brought him through it.

6x9 Speakers
“I chalk [my loyal fan base] up to the strength of the songs and the strength of my band”

Topaz City (2007)

Produced by R.S. 'Bobby' Field, Topaz City takes on a different ambiance compared to his prior releases. His tight-knit backing band is far more prominent here than before, allowing Max to release more emotion into the songs. But like many of the most recent releases from Texas bands, i've found it difficult to get into this one. i blame this on the idea that my tastes have changed considerably since discovering a world of great music outside the confines of the Lone Star State.

Lank & Lonesome & Low & Loose At Both Ends
How Blue Can You Go


Max Stalling is one more notch on the wall of hidden talent that thrives down here in Texas. After finding so much great music through blogs from everywhere under the sun, i felt it was my civic duty to try to expose as many people as i could to the sounds that first made me appreciate the beauty of real music, from real people.

Click on the album covers for direct purchase links.

Tuesday, September 2, 2008

A Float Down Memory River....

Made a much-needed labor day weekend trip down to the river in New Braunfels. i can't quite explain it, but that part of Texas has a way of life all its own. Laid back folks, great food, lots of beer, and there's a beautiful river that maintains a year-round 72 degree temperature.

Music, specifically Texas Music, lies at the heart of the Texas hill-country culture, helping to reinforce that everyone's family, buy me a beer feeling. Though i'm not into the scene like i once was, being back there surrounded by other floaters blasting Texas anthems on their ice-chest radios and nightly concerts up and down River Road and from San Marcos to Austin, you can't help but appreciate the music and what it stands for.


i've been a little hesitant to post songs that were once considered musical gold to me back in high school. But hearing this music all weekend got me thinking about it once again. Sure, the lyrics are often childish, the themes a little exhausted, but it does represent a part of my past. It was this genre of music that got me interested in original songwriting and the live show experience - two of the most important aspects of good music.
Nearly all of the bands pooled into the Texas Music scene are still making records (many have '08 releases), and some are more successful now than back when i followed them. But somehow, i simply can't get into the music like i used to.

So this question came up throughout the weekend: Has the actual music changed, or is it my perception, having matured and broadened my musical predilection, that has skewed my views?
Either way, as Texas Music playlists rang out night and day, the occasional song from the past retained its appeal. Here's a sampling of some Texas highlights from back in the day:

Bleu Edmondson - Little Bit Crazy
Brandon Rhyder - Up In Flames
Cory Morrow - Runnin' Around On Me
Cross Canadian Ragweed - Run To Me
Honeybrowne - Annie In The Moonlight
Jack Ingram - Work This Out
Jason Boland & The Stragglers - Somewhere Down In Texas
Owen Temple - Dry Creek Bar
Pat Green - One For The Road
Randy Rogers - Tommy Jackson
Reckless Kelly - Black & White
Roger Creager - Things Look Good Around Here
Wade Bowen - Not Finished Yet

All these artists' music can be found at LoneStarMusic.com, whose home base just happens to be situated on the Guadalupe in Grunene, TX.

As musical scenes have forever emerged, flourished, and burned out, i'm sure some of my readers from across the country have experienced similar cases. Let me know about them.

Tuesday, January 22, 2008

Artist Spotlight: Slaid Cleaves

As i mentioned in a previous post, i use the Hype Machine (http://www.hypem.com/) to find, and listen to, a lot of music. It's an amazing site, but you can't find everything on there. It seems that a few a my favorite artists cannot be found in the blog world. But now that i have my own blog, i can change all that. And maybe in the process - turn some people on to some great musicians they may not know about.

First order of business..........

Slaid Cleaves













Slaid Cleaves. Grew up in Maine. Lives in Texas. Writes songs. Makes records. Travels around. Tries to be good. (courtesey slaidcleaves.com)

Maybe it's beacause he's not heavy into the MySpace thing (until a few days ago, he hadn't updated his page since his early '06 album release), maybe it's because he isn't the most prolific guy around (only 7 albums in 18 years, and nothing in the works), or maybe it's because he doesn't tour like a madman (although he does cross the pond occasionally), but whatever the reason no one is blogging about Slaid Cleaves is beyond me. This guy is, in my opinion, the best troubadour in the folk scene alive today.
He is a singer, a songwriter, a guitar player, but you only need one word to describe Slaid best:


Storyteller.

He tells sorrowful stories of love gone wrong, depression era depictions of a dying towns, mythic adventures of Canadian Lumberjacks, and action-packed laments from the perspective of an aging horse jockey. Oh, and he can Yodel like a sonofabitch.

But i'm not here to give artist bio's, so i'll just give you a chronologic song sampling, highlighting some of those captivating stories....

don't be a jackass - go here and buy these straight from Slaid himself. Or iTunes, if that's your thing. But all songs are right-click, save as.





mp3: Smitten ~ from The Promise (1990)


This is one of only two songs i have from this out-of-print album. It's obviously early Slaid, but it still has that true singer-songwriter feel.




mp3: Tell Me ~ from Life's Other Side (1992)

Another album i can't seem to get may hands on, but this heartfelt song will keep me trying.





mp3: No Angel Knows ~ from No Angel Knows (1997)

Here, we find Slaid Cleaves coming into that sound of his i love so much. Some sorta mix between bluegrass and blues thats sounds like an old jug band sittin in a swamp somewhere. Complete with fiddle and a thumpin' stand-up bass.






mp3: Lydia ~ from Broke Down (2000)

Broke Down was released not long before i came across Mr. Cleaves, and has become his career-making album. Although this isn't Slaid's song (Karen Poston wrote it - check her out) it shook me to the core the first time i heard it and still does. He delivers a despairing tune of a woman twice-scarred by coal mine tragedy.



mp3: Below ~ from Wishbones (2004)



My favorite album of his, Wishbones shows Slaid in his best storytelling effort. It took me a while to narrow it down to just one song to show off these amazing accounts, but Below is a story of a small town doomed to be flooded when the dam is built. BUY THIS RECORD!




**sidetrack**
a similar story and a great song here about the Tennessee Valley Authority:
mp3: The Everybodyfields - T.V.A. [MySpace] [iTunes]







mp3: Fairest of Them All ~ from Unsung (2006)


Unsung is one of the coolest concept albums i've heard. It's a covers album, but not of overdone, well-known covers. Instead, Slaid carefully picked songs from his peers (some virtually unknown) that perfectly fit his style. Just from listening, you would never know these weren't his songs. Fairest of Them All is a song by Ana Egge.

---------------------------------------------------------
Ok, so i couldn't help myself. Here are a couple more good stories from Wishbones.

mp3: Quick as Dreams

mp3: New Year's Day